"Why don't you dance?"

I think these are more or less finished. Images constructed from a combination of ingredients: Raymond Carver's short story "Why don't you dance?", a large dose of imagination and some refrences to my memory of shapes, light movement, figures.

Day lillies, Green River, Cairns, Shelburne, "Eros the Bittersweet", "Why Don't You Dance?"(Ray Carver)

When not in my studio I made frequent trips to the Green River to cool off this summer. Above are a few sketches I did while in the "woods"; some trees along the banks, day lillies and a cairn I built one really hot mornimg and afternoon.

The scene of dirt road and trees was something I did a week ago today in Shelburne; the floating figures are preliminary drawings to what I hope will be a large scale oil painting representing some of the dynamics in romantic love relationships. I got the idea while reading a wonderful book entitled "Eros: The Bittersweet". The book examines ancient Greek writing, poetry, art and traditions. The figures are floating in a dream-like environment much the way those in the grasp of Eros may feel when trying to understand themselves and the beloved in the confusing state of attraction.

Lastly, a preliminary pastel and charcoal drawing for a picture based upon Carver's short story entitled "Why Don't You Dance?" In the story a young couple driving through a neighborhood in the early evening come across a yard sale set up by a man who apparently has to sell all of his possessions. The couple meet the owner, he provides drinks, they buy, the couple dance in his driveway to music he provides and there are connections made and emotions to be understood.

"What we talk about when we talk about love" and other images

These sketches are preliminary to a picture I hope to complete based upon Raymond Carver's short story "What we talk about when we talk about love." Carver is a favorite of mine, both his poetry and short stories. To me, he wrote like Hopper painted; often the subject is something from the everyday but from a particular point of view, a sober even somber view of the mundane. Carver's life was fueled by alcohol and apparently in addition to self destructive tendencies he occasionally became abusive, violent. "What we talk about...." includes conversation between the four characters, drinking heavily as the sun sinks in Albuquerque, about what it means to be in love and how lovers behave with and toward the other in the couple. The two couples in the storey bring their individual experiences to the table. There are stories of divorce, reconciliation, drinking, violence and the ability of the spirit to somehow sustain love through it all.

The sketch at the lower left with the table and shadow lines is what I hope will evolve into the final setting for the scene I hope to paint. The drawings above are my first sketchbook attempts at representing the characters; I've moved to a larger format and started a charcoal rendering I hope will help me finalize shapes, positions and facial expressions.