Bold color

c. 20" x 24"/oil on canvas

Not too subtle.  Bright.  Loud.  Bold.  She appeals to me!

Adult content!

So, maybe I should but the adult content warning page on this?

New things done in the last two weeks or so

"Ok, so I like to paint."

"Well, what kind of painting do you like to do?"

"Actually, whatever kind of painting I do when I am doing it!"

I think each picture is sort of an experiment in and of itself. Although my marks may have some common features from picture to picture I really see each piece as an adventure, an effort in fact, to pull out something new....maybe fewer gestures to reveal my impression of whatever the subject is? And at the same time I am learning the expressive language of the brush and combinations, juxtapositions of colors.

Sometimes I am looking at someone or something; on other occasions I reach into my imagination or assess the work as I am doing it looking for direction from the colors and lines. How wonderful!!

I don't think there is a "best" art-making situation or experience; the results vary regardless of the set-up, locatation, presence of another; what seems to matter is just the continuous "making", the effort to do it (effort is a synonym for pushing paint with brush). All anyone has to do is paint, if that is what they want to do. Me, I like to paint.

Day lillies, Green River, Cairns, Shelburne, "Eros the Bittersweet", "Why Don't You Dance?"(Ray Carver)

When not in my studio I made frequent trips to the Green River to cool off this summer. Above are a few sketches I did while in the "woods"; some trees along the banks, day lillies and a cairn I built one really hot mornimg and afternoon.

The scene of dirt road and trees was something I did a week ago today in Shelburne; the floating figures are preliminary drawings to what I hope will be a large scale oil painting representing some of the dynamics in romantic love relationships. I got the idea while reading a wonderful book entitled "Eros: The Bittersweet". The book examines ancient Greek writing, poetry, art and traditions. The figures are floating in a dream-like environment much the way those in the grasp of Eros may feel when trying to understand themselves and the beloved in the confusing state of attraction.

Lastly, a preliminary pastel and charcoal drawing for a picture based upon Carver's short story entitled "Why Don't You Dance?" In the story a young couple driving through a neighborhood in the early evening come across a yard sale set up by a man who apparently has to sell all of his possessions. The couple meet the owner, he provides drinks, they buy, the couple dance in his driveway to music he provides and there are connections made and emotions to be understood.