Quick brush; pushing to be expressive...maybe this is where I will "settle" my work?

I've been making a conscious effort to be loose with my brushes and, to the extent I remain committed to that objective while I work on something, to also simplify lines, curves and "definition" by making quick gestures. Trouble is, sometimes I find myself putting layer after layer of stuff on (no examples of that here). Maybe if I don't post the "layered" work I'll stop doing it!! Unlikely. Anyway, here are some life drawing images in watercolor and gouache.

Just fun!

"Why Don't You Dance" and other images

What's the work about these days? "Why Don't You Dance", Raymond Carver's short story which appeared in a volume entitled "Where I'm Calling From" and which describes a random intersection of lives, young and not so young, personal transitions, plans and failures, is a focus right now. The image set in the middle of this post is 24" x 36" and is the first of two I plan to illustrate the story. It (the image) is my progress thus far as I attempt to zero in on lines, trajectories, light and shadow. Colors are revealing themselves to me....since I think you really can't shape lines, trajectories, light and shadow without using color in some fashion...so I think I am progressing.

The second canvas will move the view more to the right and include the young male and female couple in the story. Haven't decided if I want to include the third character in the view....the lone male resident of the house whose life seems in major disarray. I'll have to re-read the story. It's great how the picture informs the story and vice versa!

Oil on canvas and conte, watercolor and gouache in the images above "Why Don't You Dance".

The orange/white picture is a modified version of the picture I posted previously. Better proportions, I think.

I bought a book at a local used book place a couple of weeks ago: "The Human Figure" by John H. Vanderpoel, published in Chicago in 1913. The pen and ink images are copies I've done. Great fun to do!

Auction for Artspace @ Hope and Olive

On Monday, April 12, 2010 Artspace, Greenfield's community art center, will hold its annual fundraising event from 5:00 'til 7:00 p.m. at Hope and Olive restaurant on Hope Street in Greenfield. The program includes a silent auction of pieces donated by local painters, sculptors and others and I've chosen to offer the picture above. It's oil on board, c. 9"x12", framed in a c. 2" black, wood frame. A minimum bid of $150.00 has been established.....this is, after all, a fund raising event to support the programs offered, particularly those for local children in music and the arts.

Local businesses and professionals are also participating and offering services and products to the highest bidders. The event has been well attended in the past and it would be great if that trend could continue.

The restaurant offers special items and the bar is open; join us for a fun evening!

Photo of studio; oil portraits; preliminary drawings

In early January I decided I needed to increase the volume of my work, both in terms of the number of pieces I'd complete and their dimensions. So, maybe a progress report is due? Well, it is difficult to make four new and larger works each month!! I've certainly been able to continue with my studio drawing as well as pen and ink work in my sketch books but the number of completed canvases hasn't kept pace with my wishful planning. That isn't to say I'm going to abandon the objective; I'd like to keep working toward that goal as I am not certain it isn't attainable.

This post includes a picture of my studio taken earlier today as well as some new and old work. The white, reclined figure is a work in progress; the portrait is finished. The charcoal and ink drawings are preliminary planning for three pictures based on short stories written by Raymond Carver.

I seem to have all the artistic inspiration I need, just have to keep it going.

First time juror; slow start; Old Deerfield and some other stuff

I was honored to be asked and to serve as a juror for an annual exhibition at Artspace in Greenfield, Massachusetts which runs through mid-February. A first for me! Yesterday (1/19/2010) I reviewed the work of many talented young artists, students at local private boarding and public schools whose work had been nominated by art faculty at their respective institutions. What a challenge it was! So much well executed work! The exercise challenged my notions of what I think is "exceptional". Couldn't remove the I from the equation; I guess I don't think there is an objective formula for quantifying the "pull" of a particular work.....I just had to try to be open to interpreting the execution and content of each piece without regard to the medium, subject or technique employed. I looked for evidence of a process in assembly and execution.....that was the best I could do. One work was a technical masterpiece (chosen as best in show by a majority of the "judges"). It was beyond competent and deserved all the recognition it received but for me its "artistic" merit was diminished by the weight of its precision and the calculus of its formation. So, with "judging" you get mass quantities of subjectivity!?! Pity the artist who puts his/her work in the matrix of "evaluation"! I toss my own work into the "show" business from time to time but in the future I'll have insights from my recent experience; feeling rewarded or ignored by the "evaluations" will be tempered with those insights!

My painting pace hasn't yet matched my plan of four per month....as January comes to an end I've got two canvases started! I'll take some pictures and post them next week.

Pictures w/no words;A.;picking up the pace

I often stay clear of posting here for lack of anything much to say about the work I up-load. As I'm sitting here writing............! With visual art, maybe just posting it is enough, though. I don't need to explain it, the viewer can see for themselves, interpret it, devine its source or suppose its inspiration, calculate whatever needs to be calculated and feel what they feel.

However, all that said, I'm picking up my picture making pace and plan to purchase supplies to allow four (4) 2'x3' or 3'x4' new oil pieces per month for the next six months. I think its ambitious but I want to do it and maybe I'll report on the progress from time to time.