New pictures/May 2009

Life Drawing Exhibit/Recent Sketchbook Stuff/More

The drawing group I joined several years ago is having an exhibit of figure related work and I submitted two pictures, both of which I've never photographed or I'd post them here. One is a recent (2008) 11" x 14" female nude in oil on Masonite and the other a watercolor (1998). The watercolor was done from my memory of the musical "Chicago" which I saw performed on stage in Boston just before I did it. I'd have liked to submit more and actually some things done in the group but work on paper requires framing (I think) but the time and other resources just weren't there.

The two sketches at the bottom of the post were done this week and last. They are , respectively, the front door of the Duxbury (Massachusetts) Historical Society building and a shaded sidewalk in Deerfield. I showed them today to the editor of a local weekly newspaper who remarked that they had an "old style" feel to them.....I'm in agreement but I don't particularly like to think that's what I do!!

The next two in ascending order are scenes from Gloucester, Massachusetts; the house done while sitting on the adjacent beach and the boat from a photo, I think. Both done several years ago.

At the top of the page is a sketch in ink and gouache done on location a few years ago in Marion, Massachusetts while sitting in my car.

Opportunites and losses

The Rocky Neck Art Colony in Gloucester, Massachusetts offers a Residency for visual artists running from mid-May to September each year. They have a great studio facility on Smith's Cove with living space for the artist in a location I really enjoy. Maybe five (5) artists are selected and each has about a month at the Colony's studio to work without the usual day-to-day distractions. I've applied for one of the Residencies at least twice, including most recently my April 2009 request. Sadly, again, I received a letter last week indicating that a residency was not going to be offered to me. Disappointed, yes but not really discouraged. Motivated by rejection? I don't know...maybe. I didn't apply because I was searching for approval of my work but approval is an inherent part of the application process!!! Not securing approval doesn't change how I feel about what I am doing. I think it makes me want to be a bit more directed about how I present myself, my work, my story. That's what I want to take from the experience of rejection ; I'll keep growing my work the way I want to grow it.

The sketch above is a view to Rocky Neck

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Several days ago I arrived at the Leverett Crafts and Arts building, where my studio is located, to discover a table in the hallway loaded with art supplies and seven (7) magnificent c. 34" x 38" museum-style frames complete with glass, mat and mounting board....all in fine condition.....with a sign on the table in large black letters reading "FREE"!!! How could this happen and what does it mean, I thought to myself? Well, what it meant was that I had just gotten a gift beyond gifting!! I have accumulated 100's of drawings I'd like to be able to show and now I had the vehicles, devices, gadgets, tools to show them!! Wow! I felt a bit greedy as I carried them up the stairs to my second floor space, occasionally wondering if I had some obligation to share them with others and feeling that now I knew what it was like to be a pirate.
I'll fill them with pictures and show them. I'll be careful with them while they are in my custody and I'll pass them on to another just I received them!!!
After storing them and while working on a painting I could hear footsteps in the hall. I went outside and asked if by some chance the "gifts" I'd secured had been placed by the woman I'd just introduced myself to. "Yes", she said. She was moving from her studio and couldn't take the frames with her; I thanked her and offered that they were obviously valuable and that I should pay her...of course knowing that I had no money to do that.
I'm appreciative of her gift and will remember the gesture of Petula Bloomfield, artist, supporter of the arts, angel in the perpetual world of artist needs. Thank you, so much!

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Although nothing has been finalised, the editor of a local weekly newspaper, the Montague Reporter, has indicated an interest in publishing some of my illustrations. We're meeting later this week.

Figures/Landscape/Watercolor abstraction

Most of the images in this posting are recent; some within the last few weeks or so. Although it has been many days since anything has gone up here, in fact the art making has been going on pretty much non-stop. I seem to be getting lots of studio time but I could always use more, or so I think. The majority of what is here is charcoal, one pastel; most of my time, however, has been spent on an large (36" x 24") oil picture. The oil work was begun in my studio several weeks ago and is based upon a smaller oil I completed late last year.

During the summer of 2008 I spent a couple of days painting on location at Historic Deerfield. I took lots of photographs while there and have done lots of illustrations: an 11" x 14" oil picture (which was sold at an auction this past February at ArtSpace in Greenfield! ) of essentially the scene I am re-working on a larger scale, as well as a smaller work-in-progress and an 11" x 14" oil of a building in the village.

The current project has been a challenge in every sense. At the top of this post is a view, taken with my cell phone camera, of a portion I was working on today.

The drawings are just what they are....not necessarily preliminary to anything I've planned except that the pastel is serving as the reference piece for an oil-in-progress.

The sketchbook pages are exhibits of what I think good picture makers must (ought to ) do! Actually, I'm not so sure how helpful "planning" might be or "study" is. Although I might get one or two ideas from a mid-painting sketch of a work in progress once I take the idea and try to do something with it I rarely go back to the study to see if there is anything else of value to me. And I often make notes I don't look at again!! Maybe it is just process.

Main Street, Greenfield

This is complete, finally!! I've painted and re-painted, over painted, under painted and stared at this long enough. I actually like it at this point, having altered every aspect and plane of the thing at least six times, changed shades of blue from ultramarine to cerulean to Prussian to mixes of each. It sort of represents a place where one confronts alternatives, choices; you really have to do that alone and it looks like "alone" to me. I wonder, right now, if I've painted any alternatives that aren't immediately apparent?
It measures 12" x 12" and is oil over acrylic. This original is based on a sketch I did some time ago which appears in an earlier post. I think I'll do a series of views of Greenfield's Main Street but use a larger format....maybe 20" x 30".

Recent charcoal drawings/figures

Charcoal drawings may be an end in themselves or preliminary to a work in another media. Actually, I like to hold on to all of my charcoal pictures and have so many hanging in a closet, poorly stored in the basement and in huge improvised cardboard "portfolio" folders that I think an inventory should be started sometime soon. Maybe toss some out? That will be difficult, I think.

The image of the group sitting at a table is a progression of the Carver-based painting I hope to execute, or at least begin soon. Something about it confuses me; the table legs are too short or the table top should be lower or the chair legs are too short.....maybe all three of the above.

Anyway, it's "What we talk about when we talk about love." If I knew how to send this posting to his first wife I'd do it; I think she might appreciate how someone attempts to interpret her late ex-husband's word-pictures.

The reclined figure (pastel/watercolor) is quite large (30" x 40") and is as yet a work in progress which I am hopeful may be finished in time to exhibit at an upcoming figure show at Artspace in Greenfield.

The other drawings are from the life group I belong to and draw with every couple of weeks. For the most part they were done in fifteen to thirty minutes on white acid free drawing paper.

New Studio! New work!

Not so new now, since I've been there for the month of February plus a few days. After a reasonably careful artist-like search I was able to locate a really nice space to share with another painter at the Leverett Crafts and Arts building in Leverett, Massachusetts. Studio A-5, to be exact, on the second floor, facing east with a view into woods now covered with snow. Nice, quite artist's community of painters, potters, jewelers, instrument makers and the like. There is a large and open gallery space (Barnes Gallery) for exhibits and my sense is that LCA has a focus on being the center for arts in the local community by offering classes and work space. I am excited at the prospect of being there!

Just above is a picture of my space taken a few days ago as well as a close-up few of a painting I am working on this week. No title, yet, but "Nails" has a good chance, huh? It is oil and acrylic; the oil has been applied over some of the "original" acrylic under painting. As between the two mediums I find oil to be much more flexible, easier to move around and most appropriate for the way I like to paint.

The scene is of Greenfield and started from sketches I did of a portion of the block on the south side of Main Street opposite what was then Cafe Koko. Actually, I did the sketches while sitting in Koko's drinking iced coffee.

It is approximately 12" x 12". Nails is a fingernail salon; next door is a Korean restaurant.